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Good. Simply Brit – welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there's something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Clean from markings In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1450grams, ISBN: 9780262194594.
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New in New jacket. Price is net to all; promotional discounts do not apply. First limited edition of 33 signed and numbered copies (this being copy number 12). Includes an original unique "vulvic impression" print on rag paper (8-5/8 x 7-9/16 inches), initialed and dated 8/05 in blue pencil on recto lower right corner by Schneemann, and a gelatin silver photograph from the artist's 1963 "Eye Body" performance (image size 8-7/8 x 7-5/8 inches; paper size 9-1/8 x 7-7/8 inches), titled, initialed, dated and numbered in pencil on verso by Schneemann. The book is signed and numbered 12/33 in red ink on the title page by Scheemann. Hardcover. Fine red cloth-covered boards with title stamped in black on spine, with photographically illustrated dust jacket. The print, photograph and book are contained in a fine iridescent purple silk-covered clamshell box with title printed in silver on debossed spine panel. Works in various media and text by Carolee Scheemann. Additional contributions by Kristine Stiles, Robert C. Morgan, Jay Murphy, Robert Riley, Eleanor Heartney, Thomas McEvilley and David Levi Strauss. Includes a list of videos/filmography and selected bibliography. Designed by John Isaacs. 357 pp., with numerous black and white and color illustrations. Book measures 9-1/4 x 8-1/4 inches; clamshell box measures 10 x 8-7/8 inches. New (original blood print, gelatin silver print, book and clamshell case all in flawless, pristine condition). From the publisher: "Carolee Schneemann is one of the pioneers of performance, installation, and video art. Although other visual artists, such as Salvador Dali and Yves Klein, had used live self-portraiture and performance as a vehicle for public provocation, Schneemann was among the first to use her body to animate the relationship between the world of lived experience and the imagination, as well as issues of the erotic, the sacred, and the taboo. In the 1960s, her work prefigured the feminist movement's sexual self-assertion for women, and by the mid-1970s, her work anticipated the field of women's studies and its critique of patriarchal institutions. In the 1980s, she was one of the first to experiment with virtual environments. Imaging Her Erotics integrates images from Schneemann's works in painting, collage, drawing, and video sculptures with written material drawn from the artist's journals, dream diaries, essays, and lectures. Encompassing four decades of her work, it demonstrates her profound influence on artists in all media. An opening essay by Kristine Stiles presents Schneemann's major themes and places her work in a historical context. Among other topics, the book covers Schneemann's response to the widespread use by artists of the ideas of theoreticians such as Georges Bataille, Jacques Derrida, and Jacques Lacan; her relationship to male artists such as Joseph Cornell, Robert Morris, and Claes Oldenburg; and reminiscences about her friends Ana Mendieta, Charlotte Moorman, and Hannah Wilke. The book also contains essays by Jay Murphy and David Levi-Strauss and interviews with the artist by Kate Haug, Linda Montano, and Aviva Rahmani." Signed by Author.
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Essays, Interviews, Projects. Pp. 347. 4to. Bound in red cloth. Replete with photographic illustrations. Light shelfwear, dustjacket protected in plastic brodart sleeve; very good+ in very good+ dustjacket.
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Seller's Description:
VG, ex-library. Stamped on text block, flylead, copyright page, pocket in back. Covers and pages clean. Pictorial dj; red cloth, black type spine. 347 pages: illustrations. "Carolee Schneemann is one of the pioneers of performance, installation, and video art. Although other visual artists, such as Salvador Dali and Yves Klein, have used live self-portraiture and performance as a vehicle for public provocation, Schneemann was among the first to use her body to animate the relationship between the world of lived experience and the imagination, as well as issues of the erotic, the sacred, and the taboo. In the 1960s, her work prefigured the feminist movement's sexual self-assertion for women, and by the mid-1970s, her work anticipated the field of women's studies and its critique of patriarchal institutions. In the 1980s, she was one of the first to experiment with virtual environments." "Imaging Her Erotics integrates images from Schneemann's works in painting, collage, drawing, and video sculptures with written material drawn from the artist's journals, dream diaries, essays, and lectures. Encompassing four decades of her work, it demonstrates her profound influence on artists in all media. An opening essay by Kristine Stiles presents Schneemann's major themes and places her work in a historical context. Among other topics, the book covers Schneemann's response to the widespread use by artists of the ideas of theoreticians such as Georges Bataille, Jacques Derrida, and Jacques Lacan; her relationship to male artists such as Joseph Cornell, Robert Morris, and Claes Oldenburg; and reminiscences about her friends Ana Mendieta, Charlotte Moorman, and Hannah Wilke. The book also contains essays by Jay Murphy and David Levi-Strauss and interviews with the artist by Kate Haug, Linda Montano, and Aviva Rahmani."--Jacket. Contents: The Painter As an Instrument of Real Time / Kristine Stiles--Proto-Feminist Body--Interview with Kate Haug--From the Notebooks--"Maximus at Gloucester": a Visit to Charles Olson--Eye Body: 36 Transformative Actions--Meat Joy--Snows / Robert C. Morgan--Solanas in a Sea of Men--Two London Letters--Valie--Notes from First Viewing of a Film by Dusan Makavejev: W.R. Mysteries of the Organism--Sexual Parameters--Interview with ND--Feminist Erotic Iconography--Interview with Linda Montano--Istory of a Girl Pornographer--American I Ching Apple Pie--Cezanne, She was a Great Painter: Unbroken Words to Women--Sexuality Creativity Language Art Istory--Women in the Year 2000--Interior Scroll--Up to and Including Her Limits--Dirty Pictures--Anti-Demeter: The More I Give the More You Steal--Homerunmuse--The Lebanon Series--Interview with Carl Heyward--Censorship--On Censorship: Interview with Aviva Rahmani--Notes from the Underground: A Feminist Pornographer in Moscow--Dream Morphologies--Assimilating the Unassimilable: Carolee Schneemann in Relation to Antonin Artaud / Jay Murphy--Fresh Blood--A Dream Morphology--Venus Vectors--Cycladic Imprints--Infinity Kisses / Robert Riley--Video Rocks--Cats, Dreams, and Interior Knowledge--Cat Scan: Interview with William Peterson--Homage to Ana Mendieta--Mortal Coils--Plague Column: Known/Unknown / Eleanor Heartney--Vulva's Morphia--Vespers Pool / Thomas McEvilley. Includes bibliographical references and index.
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Seller's Description:
Fine. Size: 9x8x1; 347 pages with the index. nearly as new condition. signed gift inscription by "Carolee Schneeman" with a personalized note date 06. based on your address. -We can ship from USA and Canada. Specializing in academic, collectible and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us.