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Seller's Description:
Very Good. 086559189X. Very lightly crimped corner, otherwise text clean and tight; NOTE: additional postage may be necessary for international shipping; 8vo 8"-9" tall; 289 pages.
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Seller's Description:
Very Good. 2001. Quarto. 289 pp. Profusely illustrated. Mild shelf wear, scuffing, and creasing to wraps. Altogether a copy in Very Good condition. (Subject: Art & Graphic Design. )
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Seller's Description:
Bonnard; Vuillard; Denis; Roussel. Fine. 292 illustrations, including 178 in color. 289 pages. Square 4to, glossy pictorial wrappers. New Haven: Yale University Press, (2001). First softcover edition. A fine copy, as new in the original shrink wrap.
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Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
UsedGood. Paperback; light fading, scuffing, and shelf wear to the cover; protective coating on cover peeling slightly at top front edge; small crease to the lo wer back corner tip; former owner's name written on front end page; small a mount of underlining; in good condition with tight binding.
Publisher:
Art Institute of Chicago / Yale University Press
Published:
2001
Language:
English
Alibris ID:
17967470454
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Seller's Description:
VG condition but with ex-lib. marks. Green wraps. xiii, 289 pp. 85+ color & bw plates. Catalogue by Gloria Groom with an essay by Nicholas Watkins and contributions by Jennifer Paoletti and Thèrése Barruel. Includes artists' biographies as well as 85 annotated and illustrated works. "The Contributions of Artists Pierre Bonnard, Edouard Vuillard, Maurice Denis, and Ker Xavier Roussel to the French avant-garde of the 1890s, as members of the Nabis, are widely recognized. What is less known about these artists' careers is their extraordinary work in decorative painting-work on a large or unusual scale for private interiors. This illustrated book focuses on the many decorative works carried out by the four artists between 1890 and 1930. During these years, they moved beyond the narrow parameters of easel painting and applied their wholly untraditional aesthetic of decoration to a wide range of works for domestic interiors, from wall-size ensembles to folding screens. The cosmopolitan group of patrons who made this work possible ranged from the avant-garde circle of La Revue Blanche to prominent members of the French establishment. An examination of their role and tastes is another fascinating feature of this publication." "The book and accompanying exhibition reunite paintings that have long been dispersed, introducing contemporary viewers to a group of bold and evocative works, which had a wide-ranging, though little-recognized, influence on modern art. As the book's authors argue, the aesthetic embodied by these works indeed helped set the stage for the large, non-narrative paintings by artists as diverse as Rothko and Lichtenstein that came to dominate the avant-garde after World War II."--Jacket.
