This book sets out to correct received accounts of the emergence of art history as a masculine field. It investigates the importance of female writers from Anna Jameson, Elizabeth Eastlake and George Eliot to Alice Meynell, Vernon Lee and Michael Field in developing a discourse of art notable for its complexity and cultural power, its increasing professionalism and reach, and its integration with other discourses of modernity. Proposing a more flexible and inclusive model of what constitutes art historical writing, ...
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This book sets out to correct received accounts of the emergence of art history as a masculine field. It investigates the importance of female writers from Anna Jameson, Elizabeth Eastlake and George Eliot to Alice Meynell, Vernon Lee and Michael Field in developing a discourse of art notable for its complexity and cultural power, its increasing professionalism and reach, and its integration with other discourses of modernity. Proposing a more flexible and inclusive model of what constitutes art historical writing, including fiction, poetry and travel literature, this book offers a radically revisionist account of the genealogy of a discipline and a profession. It shows how women experienced forms of professional exclusion that, whilst detrimental to their careers, could be aesthetically formative; how working from the margins of established institutional structures gave women the freedom to be audaciously experimental in their writing about art in ways that resonate with modern readers.
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New. Trade paperback (US). 254 p. Cambridge Studies in Nineteenth-Century Literature and Culture . 18 Halftones, black and white. Intended for professional and scholarly audience.
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New. 254 p. Cambridge Studies in Nineteenth-Century Literature and Culture . 18 Halftones, black and white. Intended for professional and scholarly audience.
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Seller's Description:
New. Trade paperback (US). Contains: Halftones, black & white. Cambridge Studies in Nineteenth-Century Literature and Culture . 18 b/w illus. Intended for professional and scholarly audience.
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Fine. Contains: Halftones, black & white. Cambridge Studies in Nineteenth-Century Literature and Culture . 18 b/w illus. Intended for professional and scholarly audience. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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New. Contains: Halftones, black & white. Cambridge Studies in Nineteenth-Century Literature and Culture . 18 b/w illus. Intended for professional and scholarly audience. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Seller's Description:
New. Contains: Halftones, black & white. Cambridge Studies in Nineteenth-Century Literature and Culture . 18 b/w illus. Intended for professional and scholarly audience.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
New. Trade paperback (US). Contains: Halftones, black & white. Cambridge Studies in Nineteenth-Century Literature and Culture . 18 b/w illus. Intended for professional and scholarly audience.
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New. Print on demand Contains: Halftones, black & white. Cambridge Studies in Nineteenth-Century Literature and Culture . 18 b/w illus. Intended for professional and scholarly audience.
