"Going where most readers have never been--past the workshop door, behind the curtain to the hidden rehearsal space, and into the back room of a pawn shop or dealer's office--Gregory Spatz's book delves deeply into the world of those who build, play, and sell (or steal) violins. This is a realm of obsession, of high-stakes sales and thefts, and of rapturous but also desperate performance escapades. Dense with detail, and peopled with a fabulously particular (yes, eccentric) ensemble cast, the linked pieces [here]--two of ...
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"Going where most readers have never been--past the workshop door, behind the curtain to the hidden rehearsal space, and into the back room of a pawn shop or dealer's office--Gregory Spatz's book delves deeply into the world of those who build, play, and sell (or steal) violins. This is a realm of obsession, of high-stakes sales and thefts, and of rapturous but also desperate performance escapades. Dense with detail, and peopled with a fabulously particular (yes, eccentric) ensemble cast, the linked pieces [here]--two of novella length, and two stories--have the intense force and beauty of chamber music"--Paul Harding.
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