This book is a study of Mozart's Don Giovanni, his second opera to a libretto by da Ponte. Although it is one of the handful of best-known and most often performed operas of the last two hundred years, Don Giovanni is seldom given in an authentic form and arguments persist as to its nature. Julian Rushton takes the view that, notwithstanding the tragic nature of certain scenes, it must be regarded as an opera buffa. He gives a brief summary of its history and life in the theatre, but the chief historical essay (by Edward ...
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This book is a study of Mozart's Don Giovanni, his second opera to a libretto by da Ponte. Although it is one of the handful of best-known and most often performed operas of the last two hundred years, Don Giovanni is seldom given in an authentic form and arguments persist as to its nature. Julian Rushton takes the view that, notwithstanding the tragic nature of certain scenes, it must be regarded as an opera buffa. He gives a brief summary of its history and life in the theatre, but the chief historical essay (by Edward Forman) concerns the subject-matter before it reached da Ponte. The book includes a very detailed synopsis which forms the basis of an extended commentary on the librettist's handling of a plot constructed of both original and inherited ideas. Bernard Williams contributes an essay on Don Giovanni as an idea in literature and philosophy since Mozart. The book concludes with an extensive bibliography, and a discography of complete recordings compiled by Malcolm Walker.
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Lightning Source printing. 8vo. Original pictorial card covers (softback) (creased at bottom corner of lower cover, top corner p.5 turned at top corner). Pp. ix + 165, illus with b&w photos and music examples (no inscriptions).
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Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
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Acceptable. CRease on back or front cover. Paperback The item is fairly worn but still readable. Signs of wear include aesthetic issues such as scratches, worn covers, damaged binding. The item may have identifying markings on it or show other signs of previous use. May have page creases, creased spine, bent cover or markings inside. Packed with care, shipped promptly.