This book explores the intersections between Victorian literature, painting and photography. Taking as a starting point mid-nineteenth-century developments in the understanding of visual perception, Lindsay Smith examines the representation of a pervasive desire for a literal understanding of the process of seeing and perceiving. This is played out in the aesthetic theory of John Ruskin, the early poetry of William Morris, paintings of the Pre-Raphaelites, and in the photographic technique of combination printing. She ...
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This book explores the intersections between Victorian literature, painting and photography. Taking as a starting point mid-nineteenth-century developments in the understanding of visual perception, Lindsay Smith examines the representation of a pervasive desire for a literal understanding of the process of seeing and perceiving. This is played out in the aesthetic theory of John Ruskin, the early poetry of William Morris, paintings of the Pre-Raphaelites, and in the photographic technique of combination printing. She demonstrates how the novel presence of the camera in nineteenth-century culture not only transforms acts of looking, but also affects major social, aesthetic and philosophical categories. By exploring the intricacies of photographic discourse she shows how Ruskin and Morris produce a critique of the earlier Cartesian perspectival model of vision.
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New. Trade paperback (US). Contains: Halftones. Cambridge Studies in Nineteenth-Century Literature and Culture . 12 b/w illus. Intended for professional and scholarly audience.
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Seller's Description:
New. Trade paperback (US). Contains: Halftones. Cambridge Studies in Nineteenth-Century Literature and Culture . 12 b/w illus. Intended for professional and scholarly audience.
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Seller's Description:
Dust jacket in very good condition. First edition. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. The binding is tight; the pages are clean and unmarked. Secure packaging for safe delivery.
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VG+/VG. Like new boards and block-clean and tight. Minor wear to dust cover. Black boards with silver lettering on spine. Black and white illustrated dj. xiii 246 pp. 12 b+w plates. "This book explores the intersections between Victorian literature, painting, and photography. Taking as a starting point mid-nineteenth century developments in the understanding of visual perception. Lindsay Smith examines the representation of a pervasive desire for a literal understanding of the process of seeing and perceiving...She demonstrates how the novel presence of the camera in nineteenth-century culture not only transforms acts of looking, but also affects major social, aesthetic, and philosophical categories."-front flap dj. Cambridge Studies in Nineteenth-Century Literature and Culture 6.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 600grams, ISBN: 9780521472883.