Accompanying the first American retrospective of the Korean-born multi-media artist's work since 1982, this volume brings together the major artworks that define Nam June Paik's singular achievement. Through his sculptures, installations, videotapes, and projects for television, Paik has recognized and realized the potential of video to become an artistic medium. Published to accompany an exhibition opening in February at the Solomon R. Guggenheim Museum, New York, this book is sure to draw major media attention. Through ...
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Accompanying the first American retrospective of the Korean-born multi-media artist's work since 1982, this volume brings together the major artworks that define Nam June Paik's singular achievement. Through his sculptures, installations, videotapes, and projects for television, Paik has recognized and realized the potential of video to become an artistic medium. Published to accompany an exhibition opening in February at the Solomon R. Guggenheim Museum, New York, this book is sure to draw major media attention. Through its 300 illustrations, and an essay by Guggenheim curator John G. Hanhardt -- supplemented by a selection of Paik's own writings -- this volume allows art lovers to experience the numerous ways in which Paik has treated thc electronic moving image and expanded the definition of sculpture and installation art over the past four decades.
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Seller's Description:
Used-Very Good. Paperback, Guggenheim Museum Publications, 200, very good condition. Cover shows some minimal rubbing/shelf-wear. Spine is creased but binding is in strong shape. Pages and textblock are clean and unmarked. A handsome copy. Will pack carefully.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Clean from markings. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1550grams, ISBN: 9780810969254.
