In Hollywood's youth, women pioneered in screenwriting for silent films, often networking between friends: Jeannie Macpherson, Frances Marion, and Adela Rogers St. Johns, among many others, were billed alongside the top directors. With the advent of talkies and into the 1930s and 1940s, famous writers Dorothy Parker and Anita Loos wrote scripts for box-office hits such as A Star Is Born and Jean Harlow's Red-Headed Woman. And Catherine Turney wrote the searing Mildred Pierce - uncredited until now. After World War II, women ...
Read More
In Hollywood's youth, women pioneered in screenwriting for silent films, often networking between friends: Jeannie Macpherson, Frances Marion, and Adela Rogers St. Johns, among many others, were billed alongside the top directors. With the advent of talkies and into the 1930s and 1940s, famous writers Dorothy Parker and Anita Loos wrote scripts for box-office hits such as A Star Is Born and Jean Harlow's Red-Headed Woman. And Catherine Turney wrote the searing Mildred Pierce - uncredited until now. After World War II, women writers began to drop out of sight, with notable exceptions such as Ida Lupino, Betty Comden, and Dorothy Kingsley. And in the 1960s and early 1970s innovative scripts were written by Elaine May and Penelope Gilliatt, followed by screenplays from contemporary writers like Nora Ephron and Leslie Dixon. McCreadie's extensive research details the fascinating careers of all the important contributors so far, from Elinor Glyn, herself a noted actress, who wrote It, starring Clara Bow, which redefined the title word and made the "It Girl" an international sensation; up to Ruth Prawer Jhabvala, whose beautifully detailed and literate films win accolades everywhere; to Callie Khouri, whose script for Thelma and Louise broke new ground in portraying the battle of the sexes. You will find here not only a treasury of new information about women screenwriters, but examples of the scripts themselves and plenty of photographs of the women who write the movies.
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Acceptable. Hardcover The item is fairly worn but still readable. Signs of wear include aesthetic issues such as scratches, worn covers, damaged binding. The item may have identifying markings on it or show other signs of previous use. May have page creases, creased spine, bent cover or markings inside. Packed with care, shipped promptly.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
As New in As New jacket. 8vo-over 7¾-9¾" tall. 1st Printing. Like new in like new dj. No signs of any wear. No prior owner markings or remainder marks, no bookplate. No jacket tears or chips and not price-clipped.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very good, good. 241, illus., bibliography, index, some wear and soiling to DJ. Inscribed by the author. Examines why the screenwriter imbalance changed from women outnumbering men ten to one until the mid-1920's, to the current situation in which there are only 33 women screenwriters and over 1500 men. Examines specific screenwriters starting with the early silents and continuing to the presentday.
