What makes Emily Dickinson such a fascinating poet? Although she left no personal poetics, she did define her own response to poetry as an immediate sensual reaction: "If I read a book [and] it makes my whole body so cold no fire can ever warm me I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry" (L. 342a). Presumably, her own poetry is most significant not in what it communicates to a reader, but in what it does to a reader. Is the continued popular success of ...
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What makes Emily Dickinson such a fascinating poet? Although she left no personal poetics, she did define her own response to poetry as an immediate sensual reaction: "If I read a book [and] it makes my whole body so cold no fire can ever warm me I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry" (L. 342a). Presumably, her own poetry is most significant not in what it communicates to a reader, but in what it does to a reader. Is the continued popular success of that poetry not conclusive evidence of its capacity to elicit a similarly spontaneous, visceral response from its readers? And is Dickinson's critical reception not the visible proof of the perpetuation of a powerful (and uncanny) reading seduction? Relocating Dickinson within her own culture reveals the genesis of her rhetoric of seduction. But the consequences of the rhetorical "seduction" of antebellum readers still impact readers today. Why do critical studies of the poet so often identify her as the classic analysand, the female hysteric? Because transference is frequently the engine of analysis, misshaping the reader's relationship with the text by introducing a past scene of seduction into a present interpretive context.
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Seller's Description:
Good. Size: 6x1x9; Has some light general reading/shelfwear, with a little sun-fading to cover-otherwise, this is a clean, tight copy. Dispatch within 24hrs from the UK.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. In poor condition, suitable as a reading copy. Water damage. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 450grams, ISBN: 9780817309053.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 550grams, ISBN: 0817308067.
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Fine. Slight rubbing to edges otherwise in excellent condition. Next day dispatch by Royal Mail in sturdy, recyclable packaging. 1000's of satisfied customers! Please contact us with any enquiries.
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Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
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NF. Neither remainder nor ex-lib. Softcover in brown and grey illustrated wraps, 8vo. x + 222pp. Index, bibliography, endnotes. NF to Fine. Mild bends with short creases to tips of lower corners front wrap through about p.30, all well away from text; light overall curl with no sharp bends or creases upper corner rear wrap. Else as new: bright, tight, sharp and unmarked.
