"This book is MacDonald's magnum opus: it represents a deep immersion in and advocacy for independent, experimental cinema."--Patricia R. Zimmerman, author of "States of Emergency: Documentaries, Wars, Democracies" "This is a brilliant study--learned, authoritative, and often eloquent. One reads this book with astonishment at the wealth of thoughtful and playful and provocative work that has occurred in this medium--and astonishment too that most scholars of environmental literature and nature in the visual arts have had ...
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"This book is MacDonald's magnum opus: it represents a deep immersion in and advocacy for independent, experimental cinema."--Patricia R. Zimmerman, author of "States of Emergency: Documentaries, Wars, Democracies" "This is a brilliant study--learned, authoritative, and often eloquent. One reads this book with astonishment at the wealth of thoughtful and playful and provocative work that has occurred in this medium--and astonishment too that most scholars of environmental literature and nature in the visual arts have had minimal contact with independent film and video. MacDonald provides an immensely valuable, readable overview of this field, profoundly relevant to my own work and that of many other contemporary ecocritics."--Scott Slovic, editor of "ISLE: Interdisciplinary Studies in Literature and Environment " ""The Garden in the Machine" is clearly MacDonald's major work. It is very original and wide reaching especially in its analysis of the relationship of American avant-garde films to the poetry and painting of the native landscape. MacDonald's authority is evident everywhere: he probably knows more about most of the films he discusses than anyone alive."--P. Adams Sitney, author of "Modernist Montage: The Obscurity of Vision in Cinema and Literature " ""The Garden in the Machine" reflects Scott MacDonald's career-long lived engagement with avant-garde film and filmmakers. With deep respect for the artists and a rich, wide-ranging curiosity about the cultural histories that inform these films, MacDonald makes a powerful argument for why they should be screened, taught, and discussed within the wider context of American Studies. Throughout, MacDonald analyzes themes of race, history, personal and public memory, and the central role of avant-garde films in shaping our possible futures."--Angela Miller, author of "Empire of the Eye: Landscape Representation and American Cultural Politics, 1825-1875 "
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