An illustrated exploration of artists' depictions of war and warriors, from antiquity to modern times How have artists across the millennia responded to warfare? In this uniquely wide-ranging book, Theodore Rabb blends military history and the history of art to search for the answers. He draws our attention to masterpieces from the ancient world to the twentieth century-paintings, sculpture, ceramics, textiles, engravings, architecture, and photographs-and documents the evolving nature of warfare as artists have perceived ...
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An illustrated exploration of artists' depictions of war and warriors, from antiquity to modern times How have artists across the millennia responded to warfare? In this uniquely wide-ranging book, Theodore Rabb blends military history and the history of art to search for the answers. He draws our attention to masterpieces from the ancient world to the twentieth century-paintings, sculpture, ceramics, textiles, engravings, architecture, and photographs-and documents the evolving nature of warfare as artists have perceived it. The selected works represent landmarks in the history of art and are drawn mainly from the western tradition, though important examples from Japan, India, and the Middle East are also brought into the discussion. Together these works tell a story of long centuries during which warfare inspired admiration and celebration. Yet a shift toward criticism and condemnation emerged in the Renaissance, and by the end of the nineteenth century, glorification of the warrior by leading artists had ceased. Rabb traces this progression, from such works as the Column of Trajan and the Titian "Battle of Lepanto", whose makers celebrated glorious victories, to the antiwar depictions created by Brueghel, Goya, Picasso, and others. Richly illustrated and accessibly written, this book presents a study of unprecedented sweep and multidisciplinary interest.
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Seller's Description:
Like New in Like New jacket. Size: 9x7x0; Dark blue hardback with gilt lettered spine, complete with original dustjacket. In nearly new condition: firm and square with strong joints, no bumps, no rubs. Contents are crisp, tight and clean; no pen-marks. Thus a very nice copy that looks and feels unread, now offered for sale at a very reasonable price.
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Seller's Description:
Fair. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION-VERY GOOD-HARDBACK-different cover, light wear and scuff marks to jacket, pages in nice condition, shipped from the UK. Cloth over boards. Contains: Unspecified. Includes unspecified.
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Seller's Description:
Fair. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority!
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HARDCOVER Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Standard-sized.
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Seller's Description:
Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Very Good. Size: 9x7x0; Inscribed by Theodore K. Rabb on title page. Hardcover and dust jacket. Good binding and cover. Shelf wear. Tear to jacket. Clean, unmarked pages. *Autographed by author. * Theodore K. Rabb was an expert in European history, especially the Renaissance, who knew that it takes more than traditional written sources to illuminate the past.
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Seller's Description:
New. 0300126379. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--288 p., 60 b/w + 40 color illustrations. Description: How have artists across the millennia responded to warfare? In this uniquely wide-ranging book, Theodore Rabb blends military history and the history of art to search for the answers. He draws our attention to masterpieces from the ancient world to the twentieth century—paintings, sculpture, ceramics, textiles, engravings, architecture, and photographs—and documents the evolving nature of warfare as artists have perceived it. The selected works represent landmarks in the history of art and are drawn mainly from the western tradition, though important examples from Japan, India, and the Middle East are also brought into the discussion. Together these works tell a story of long centuries during which warfare inspired admiration and celebration. Yet a shift toward criticism and condemnation emerged in the Renaissance, and by the end of the nineteenth century, glorification of the warrior by leading artists had ceased. Rabb traces this progression, from such works as the Column of Trajan and the Titian "Battle of Lepanto", whose makers celebrated glorious victories, to the antiwar depictions created by Brueghel, Goya, Picasso, and others. Richly illustrated and accessibly written, this book presents a study of unprecedented sweep and multidisciplinary interest. --with a bonus offer--
