A true spate of recordings in recent years has illuminated the best qualities of Georg Philipp Telemann's chamber music, which is instrumentally colorful, adept in its combination of styles, and often possessed of sheer imagination and a delightfully cheeky sense of humor. For a great example of the kind of thing Telemann does all the time that Bach would rarely if ever do, hear the Entrée from the Ouverture for oboe d'amore, two violins, viola, and continuo in E major, TWV 55:E2 (track 6), where the music unexpectedly ...
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A true spate of recordings in recent years has illuminated the best qualities of Georg Philipp Telemann's chamber music, which is instrumentally colorful, adept in its combination of styles, and often possessed of sheer imagination and a delightfully cheeky sense of humor. For a great example of the kind of thing Telemann does all the time that Bach would rarely if ever do, hear the Entrée from the Ouverture for oboe d'amore, two violins, viola, and continuo in E major, TWV 55:E2 (track 6), where the music unexpectedly shifts into triple meter and back again. This recording by the Hanover, Germany-based group Musica Alta Ripa ("Alta Ripa" means high bank in English and "honovere" in Middle High German) catches these virtues of Telemann's music even if it has a few problems. The pieces heard here are for combinations of from one to five instruments, plus continuo, and there isn't a weak soloist in the bunch. All the players attack Telemann's music with gusto -- which is absolutely essential in bringing...
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