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Seller's Description:
Fair. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION-VERY GOOD-HARDBACK-HEAVY ITEM, light wear and scuff marks to jacket, pages in nice condition, shipped from the UK. Sewn binding. Paper over boards. 704 p. Contains: Illustrations.
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Seller's Description:
Very Good. Used, dust jacket has light scratches and minor scuffs to outer edges, outer pages have shelf wear, book content is in like new condition. Sewn binding. Paper over boards. 704 p. Contains: Illustrations.
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Seller's Description:
Very Good. Cloth, dj. Minor shelf wear. Light edge wear to jacket; small fray at bottom corner of rear panel. Rear hinge beginning to tear due to volume's weight, but sewn binding is otherwise sound. Else fine. A bright, clean copy. Very Good.
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Seller's Description:
Tiny name stamp else near new condition, covers bright, text clean & binding tight in a like dust jacket. Size: 8.75"x12", 703pp., profusely illustrated in colour.
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Seller's Description:
VG-(Slight wear to edges of dj; page edges are beginning to tan lightly, otherwise clean. ) Black cloth, black & color illus. dust jacket. 703 pp., 700+ bw & color plates; weighs 8 lbs. "Examines the inspirational interactions between Renaissance artists, musicians, and intellectuals in Venice and in northern Europe, and how the distinctive styles of each area had a lasting effect on the other....Traces the early contacts between Venice and Germany, Belgium, and the Netherlands; the experience of foreign artists working in the Veneto; the tastes of collectors and patrons in both northern and Venetian art; developments in landscape, genre, and figure painting; and the activities of the giants of the Venice Renaissance--such as Titian and Bellini--and thier northern counterparts, most notably Durer." (dj) With 24 illustrated essays and more than 700 illustrations. A terrific abeit weighy resource. Contents as follows: Venice: where North meets South / Bernard Aikema, Beverly Louise Brown--The Renaissance: a European phenomenon / Enrico Castelnuovo--Venice and the Low countries: commercial contacts and intellectual inspirations / Peter Stabel--Venice and Germany: commercial contacts and intellectual inspirations / Bernd Roeck--The artistic heritage of the North: Venice and Europe in the fifteenth century / Giovanna Nepi Scirè--Working abroad: northern artists in the Venetian ambient / Louisa C. Matthew--Across the Alps and to the Lagoon: northern artists in Venice during the sixteenth century / Caterina Limentani Virdis--The Fondaco dei Tedeschi / Giandomenico Romanelli--The lure of the North: Netherlandish art in Venetian collections / Bernard Aikema--North and South: painting techniques in Renaissance Venice / Jill Dunkerton--Genre and meaning: crosscurrents between Venice and the North / Beverly Louise Brown--Crossing the Alps: portraiture in Renaissance Venice / Rona Goffen--Flemish and Dutch artists in Venetian workshops: the case of Jacopo Tintoretto / Bert W. Meijer--Mantegna and the role of prints: a prototype for artistic innovation in the North and South / Konrad Oberhuber--Northern prints and printmaking in late sixteenth-century Venice / Gert Jan van der Sman--Venice and Augsburg: architecture and sculpture in the sixteenth century / Bruno Bushart--Prelude / Giovanna Nepi Scirè--Early Venetian Renaissance painting and the Ars Nova of the Low Countries / Bernard Aikema, Beverly Louise Brown--Venice and Dürer / Fritz Koreny--Crosscurrents with Germany: the spread of the Venetian Renaissance / Bernard Aikema, Andrew John Martin--From hell to paradise: landscape and figure in early sixteenth-century Venice / Beverly Louise Brown--Titian and the North / Bert W. Meijer--Low life and landscape: minor picutra in late sixteenth-century Venice / Stefania Mason--Augsburg, Prague and Venice at the end of the century / Andrew John Martin.
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Seller's Description:
VG-/VG-front cover has a couple of divots, dust jacket has light wear to corners and edges, and some rubbing/scuffing. Black cloth boards with gilt lettering on spine. Glossy, color-illustrated dust jacket with white lettering. 703 pp. Profusely illustrated, mainly in color. Shipping weight is 9 pounds. Renaissance Venice and the North examines the interactions between Renaissance artists, musicians, and intellectuals in Venice and in northern Europe, and how the distinctive styles of each area had a lasting effect on the other. Published to coincide with an exhibition at the Palazzo Grassi in Venice, this catalogue contains the most recent scholarship on the dialogue between Venetian and northern artists that produced an abundance of art during the period. -Amazon.
