Contents 1. Rembrandt Self-Portraits: The Creation of a Myth - Arthur K. Wheelock, Jr., National Gallery of Art, Washington 2. Reconstructing Rembrandt and His Circle: More on the Workshop Hypothesis - Walter Liedtke, The Metropolitan Museum of Art 3. Rembrandt at the Threshold - Susan Donahue Kuretsky, Vassar College 4. Comments on Rubens' Coup de Lance: Its Iconography, Style, and Importance for Eug???ne Delacroix - J. Richard Judson, Prof. Emeritus, University of North Carolina at Chapel Hill 5. Rubens, ...
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Contents 1. Rembrandt Self-Portraits: The Creation of a Myth - Arthur K. Wheelock, Jr., National Gallery of Art, Washington 2. Reconstructing Rembrandt and His Circle: More on the Workshop Hypothesis - Walter Liedtke, The Metropolitan Museum of Art 3. Rembrandt at the Threshold - Susan Donahue Kuretsky, Vassar College 4. Comments on Rubens' Coup de Lance: Its Iconography, Style, and Importance for Eug???ne Delacroix - J. Richard Judson, Prof. Emeritus, University of North Carolina at Chapel Hill 5. Rubens, His Patrons and Style - Walter Liedtke, The Metropolitan Museum of Art 6. Gender Issues in Seventeenth-Century Dutch Portraiture: A New Look - Alison McNeil Kettering, Carleton College 7. Remarks on Love, Woman, and the Garden in Netherlandish Art: A Study in the Iconology of the Garden - Sara M. Wages, The University of Maryland 8. The Strange Case of Jan Torrentius: Art, Sex, and Heresy in Seventeenth-Century Haarlem - Christopher Brown, The National Gallery, London 9. The Soothsayer by Jan Lievens in Berlin: An Attempt at an Interpretation - Maarten Wurfbain, Oegstgeest, The Netherlands 10. Ludolf de Jongh's The Refused Glass and Its Effects on the Art of Vermeer and De Hooch -Roland E. Fleischer, Prof. Emeritus, The Pennsylvania State University
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