Pride was White Lion's breakthrough album, thanks to the Top Ten hits "Wait" and the gentle ballad "When the Children Cry," but the rest of the album is also well-constructed pop-metal, with little of the over-the-top, testosterone-heavy posturing of their peers, as well as a low sleaze factor. In addition to the socially conscious "Children," there are positive-vibes anthems like "Don't Give Up" and "All Join Our Hands," and you wouldn't catch Bret Michaels or Axl Rose bowing on their knees before the "Lady of the Valley." ...
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Pride was White Lion's breakthrough album, thanks to the Top Ten hits "Wait" and the gentle ballad "When the Children Cry," but the rest of the album is also well-constructed pop-metal, with little of the over-the-top, testosterone-heavy posturing of their peers, as well as a low sleaze factor. In addition to the socially conscious "Children," there are positive-vibes anthems like "Don't Give Up" and "All Join Our Hands," and you wouldn't catch Bret Michaels or Axl Rose bowing on their knees before the "Lady of the Valley." Of course, nice-guy attitudes won't be as major a selling point for many hard rock listeners as Vito Bratta's showy Eddie Van Halen imitations. Although these border on obsessive at times, Bratta's interesting acoustic guitar work keeps the sound varied, and he displays a welcome penchant for melodicism. All in all, one of the more overlooked '80s pop-metal bands. ~ Steve Huey, Rovi
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