Steve Marriott left the Small Faces behind because he wanted to boogie. He no longer wanted to deal with the precious minutia and English whimsy that proved to be the Small Faces' greatest legacy; he wanted to adopt American blues, rock, and folk for his own -- a character trait not unique to Marriott, since not only his peers felt the same way, but also generations of British rockers who would decide to leave England behind for American roots music whenever they wanted to prove their authenticity. Humble Pie would later ...
Read More
Steve Marriott left the Small Faces behind because he wanted to boogie. He no longer wanted to deal with the precious minutia and English whimsy that proved to be the Small Faces' greatest legacy; he wanted to adopt American blues, rock, and folk for his own -- a character trait not unique to Marriott, since not only his peers felt the same way, but also generations of British rockers who would decide to leave England behind for American roots music whenever they wanted to prove their authenticity. Humble Pie would later sink into heavy, obvious grandiosity, shooting for the cheap seats (and succeeding) in American stadiums, but the band's initial albums were fascinating amalgams of rustic folk, blues, and heavy rock with a slight progressive tinge, all underpinned by an earnest student's love for a form he doesn't quite intuitively understand. These were the records that Marriott made while Peter Frampton was still in the band, and the ex-Herd member proved to be pivotal to the group's success, since the group had two solid songwriters who fed off each other's energies. Not that they were perfect -- far from it, actually, since they were both too earnest and too eager to delve into directionless jams -- but the end result was fascinating, as Castle's excellent double-disc anthology Natural Born Bugie proves. Spanning two discs, this contains everything Humble Pie recorded for Immediate, including the band's debut single, As Safe As Yesterday Is, and Town and Country, plus no less than nine unreleased tracks and two songs only available on a German CD. This set makes a convincing argument that the group had a lot to offer in its early years, when country blues and folk were as prominent as driving bloozy boogie. So, there might not be any radio hits here, but this collection is often effective (and, at its worst, interesting) and easily the best way to hear the band at its peak. ~ Stephen Thomas Erlewine, Rovi
Read Less
![Frampton Comes Alive! [25th Anniversary Deluxe Edition]](https://www3.alibris-static.com/frampton-comes-alive-25th-anniversary-deluxe-edition/cover/s08213a0xt8.jpg)
