Pira Sudham's 1988 classic Monsoon Country NEW 2022 EDITION It is hard to overstate the impact that Pira's Monsoon Country had on the outside world when it was first published in 1988. Regarded as a classic by many, yet is was classic in a genre of just one novel. Pira Sudham and Monsoon Country are close to unique in so many ways. He wrote in the English and never published novels or short stories in his native Thai language. A justifiable comparison could be made to Joseph Conrad writing almost a century before. ...
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Pira Sudham's 1988 classic Monsoon Country NEW 2022 EDITION It is hard to overstate the impact that Pira's Monsoon Country had on the outside world when it was first published in 1988. Regarded as a classic by many, yet is was classic in a genre of just one novel. Pira Sudham and Monsoon Country are close to unique in so many ways. He wrote in the English and never published novels or short stories in his native Thai language. A justifiable comparison could be made to Joseph Conrad writing almost a century before. He came from a peasant family in the northeast, the country's poorest region where a third of Thailand's population live. With Monsoon Country there was suddenly an international voice for the peasants, long exploited by both governments and provincial godfathers. The story tracks Pira's own life, a poor youngster taken to Bangkok as a temple boy and winning scholarships to end up studying English in Thailand's leading university followed by overseas universities in New Zealand, Australia and England. Many kids born in this century, growing up in NE Thailand wouldn't recognize the 1960s and 1970s region called Isan. (Sometimes Esarn, Issan, Isaan and other spellings.) Their grandparents would know the life lived in poverty well. Young girls moving to Bangkok to work in its notorious nightlife industry in order to support their parents and siblings. Development has taken place. The inequality and local godfathers may still be there, but now politicians and army generals have to remember the insurgency of the 60s and 70s and at least pay lip service to improving the living standards in Thailand's largest region. Maybe, again like Conrad, English being a second language forces authors to be meticulous in their use of the language and finding the exact right words and phrases to use. If you have never read Monsoon Country , or last read it back when it was first published, now is a good time to read it for the first or second time to see why it was so widely praised back then. Pira is still with us and living back in his home village. The sequel to Monsoon Country , 2002's The Force of Karma has a new final chapter written in 2022 bringing the story up-to-date. There are good reasons why Pira Sudham is regarded internationally as the leading Thai author of his generation. "With his rich command of the English language Pira Sudham possesses the unique gift of being able to convey the cultural evolution of Thailand through the eyes of a poor farmer's son. Pira's insightful observations make fascinating reading and the lad who once tended buffaloes has become a significant voice for the people of the Northeast." Roger Crutchley, Bangkok Post columnist and author of The Road to Nakhon Nowhere
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Very Good. No Jacket. Size: 8vo-over 7? "-9? " tall; Rothershire Edition. Trade Paperback in Very Good Condition. Black, glossy, clean, rubbed, heavy, card cover. Cover is hinged. Light wear around all edges. Tight glued binding. B/w illustrations. Pages clean and free from any markings. A novel concerned with the cultural tension between the East and the West, the clashes between the new power and the old values, covering two decades of socio-economic and political changes occurring in Thailand. A voice from the grassroots of Thailand.
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VG+ in VG+ jacket. Signed by Author. VG+/VG+. 8vo. original burgundy boards gilt (prev. owner's name to title, slightly rubbed & offset) in dustwrapper (rubbed & a little frayed); pp. 232 (last blank), [4 (pubs. advts. )]. A very good copy. Flatsigned by the author, Pira Sudham, twice; once to title page, and again on the final page at the end of the novel. Publisher's flyers and a newspaper clipping relating to both book and author, are loosely enclosed.