Pianist Khatia Buniatishvili specialized mostly in virtuoso repertory in the early years of her tenure with the Sony Classical label, but she goes in a different direction with Labyrinth, a collection of mostly slow, reflective pieces from various periods and in various styles. The labyrinth involved might be a winding path through musical styles or through an individual soul. The program is of the sort that one shouldn't try to hard to pin down; Buniatishvili posted on social media (October 9, 2020) that "the voice you ...
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Pianist Khatia Buniatishvili specialized mostly in virtuoso repertory in the early years of her tenure with the Sony Classical label, but she goes in a different direction with Labyrinth, a collection of mostly slow, reflective pieces from various periods and in various styles. The labyrinth involved might be a winding path through musical styles or through an individual soul. The program is of the sort that one shouldn't try to hard to pin down; Buniatishvili posted on social media (October 9, 2020) that "the voice you hear is the voice of a human being -- my voice, your voice," but it's quite evocative. Buniatishvili makes turns through Bach, jazz, Romantic music, contemporary pieces, including a large Philip Glass excerpt, and more. Yet for the most part, she maintains the sense of a thread connecting the pieces, although some may feel that the four-hands arrangement of the Badinerie from the Bach Orchestral Suite No. 2 in B minor, BWV 1067, where she teams with her sister, Gvantsa Buniatishvili,...
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