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Seller's Description:
Very good. Signed by previous owner. Signed by previousowner on fly leaf, modest creasing and wear on spine; otherwsie tight and clean. Text in Italian. 297 p. : ill. (some col. ); 28 x 23 cm. Includes Illustrations. "Milano, Palazzo reale, 20 febbraio-3 maggio 1992"--Half t.p. Includes bibliographical references (p. 283-288) and index.
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Seller's Description:
New. 882021024X. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--Text in Italian. 298 pp. With 304 ills. (186 col. ). 27 x 23 cm. Description: " Provides a substantial study of the transition from Neo-Classicism to Romanticism in Italian art of the first half of the 19th century, presenting fine reproductions of 186 paintings, drawings and watercolors by Andrea Appiani, Tommaso Minardi, Francesco Hayez, Giovanni De Min, Felice Giani and some 35 other figures. Supplemented with detailed biographies of the featured artists, six scholarly essays discuss the conflicts between academic and progressive aesthetic values during the period and individually assess the character of artistic trends in Lombardy, Venetia, Tuscany and Rome. "--with a bonus offer--
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Seller's Description:
VG-clean and tight; very light shelf wear to covers, minor wear to top of spine. Color-illus. card wraps with white lettering. 297 pp. with mostly color and some bw illustrations. Text in Italian. Catalogue from the exhibition held February to May 1992 at the Palazzo Reale, Milan. Curatred by Renato Barilli. Includes 5 scholarly essays, each by a different author, followed by the catalogue divided as follows: works by Appiani, Canova, Giani; neoclassicism; works by Gigola, Pinelli, Minardi; Romanticism; portraits; landscapes. Includes an alphabetical index of artists' names, a catalogue of the works, and more.
