When this recording was released in 2021, conductor Zubin Mehta was 85; it was made over three days in 2019. There isn't an absolutely compelling novelty contained here, and this is very much an old-school Haydn performance with a full symphony orchestra and chorus (not that you'd want anything less in this work, whose rock-concert atmosphere at the initial performance is well described in the booklet). For those in search of the combination of Mehta and Haydn's Die Schöpfung, Mehta's performance some years ago with the ...
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When this recording was released in 2021, conductor Zubin Mehta was 85; it was made over three days in 2019. There isn't an absolutely compelling novelty contained here, and this is very much an old-school Haydn performance with a full symphony orchestra and chorus (not that you'd want anything less in this work, whose rock-concert atmosphere at the initial performance is well described in the booklet). For those in search of the combination of Mehta and Haydn's Die Schöpfung, Mehta's performance some years ago with the Israel Philharmonic, with the sublime Barbara Hendricks as the soprano soloist, has a bit more of an edge. However, there is something satisfying about a maestro who continues to issue masterly performances at an advanced age. Part of the appeal is that all the musicians here made it their business to be at their best, not only the Münchner Philharmoniker, but the soloists, soprano Mojca Erdmann, tenor Dmitry Korchak, and bass René Pape, and the Philharmonischer Chor München. Everything...
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