The first quarter of the twentieth century was clamorous with the cries of rebellious groups. Numerous manifestoes called for new forms, a new language, a new society. None was wider in its scope, or more poetic, than Marinetti's Futurist Manifesto of 1909. Painting, literature, architecture, theatre, cinema, music; all were caught up in its net. What is refreshing is that typography, up till then the forgotten relation, played a serious part in that programme, too. While very innovative, the work of the Futurist poets ...
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The first quarter of the twentieth century was clamorous with the cries of rebellious groups. Numerous manifestoes called for new forms, a new language, a new society. None was wider in its scope, or more poetic, than Marinetti's Futurist Manifesto of 1909. Painting, literature, architecture, theatre, cinema, music; all were caught up in its net. What is refreshing is that typography, up till then the forgotten relation, played a serious part in that programme, too. While very innovative, the work of the Futurist poets retained meaning, whereas the Dadaists deliberately employed illogic in an attempt to awaken the mind to evocative ideas. The very different methods of the Russian Futurists - irregular handwritten lettering and vigorous drawings - produced a different kind of excitement. But all three movements, the creation of poets and artists crossing boundaries, were concerned with intensifying literary expression by visually expressive presentation. This new book, by a leading writer on graphic design and typography, traces the development of Futuristic typography, and describes examples of around eighty Futurist books or other designs for print, including translations, so that a new understanding of this extraordinary language, and of Futurist typography, emerges.
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Publisher:
The British Library Publishing Division
Published:
2005
Alibris ID:
18097812027
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 900grams, ISBN: 9780712348867.
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Seller's Description:
Fine in near fine jacket. First edition, 2005, hardcover with black cloth boards in dust jacket, large octavo, 160pp., illustrated in color and b&w. Book fine, binding tight, text clean bright and unmarked. DJ near fine with mild edgewear and rubbing, now in archival mylar wrap.
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Seller's Description:
Fine in Near Fine jacket. Black cloth, with spine titles in silver. Quarto. 160 pages. Illustrated throughout. "With examples of over eighty futurist books and other designs for print, with many never before published". [liner notes]. Fine copy in a near fine dust jacket.
Publisher:
The British Library Publishing Division
Published:
2005
Alibris ID:
18033468840
Shipping Options:
Standard Shipping: $4.62
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Seller's Description:
Very good. Light edge wear to jacket. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.
