This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1922 Excerpt: ...who are regarded in Jugoslav literature as classical.23 20 Vid. Talvi, "Historical View of the Languages and Literature of the Slavic Nations" (1850), p. 128. 21 Cf. P. Matkovid, "Prilozi k trgovacko-politickoj historiji republike dubrovacke," Rod jug. akad. VII (1869), p. 235. - See C. Jirecek, Archiv f. slav. ...
Read More
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1922 Excerpt: ...who are regarded in Jugoslav literature as classical.23 20 Vid. Talvi, "Historical View of the Languages and Literature of the Slavic Nations" (1850), p. 128. 21 Cf. P. Matkovid, "Prilozi k trgovacko-politickoj historiji republike dubrovacke," Rod jug. akad. VII (1869), p. 235. - See C. Jirecek, Archiv f. slav. Philologie, XIX (1897), pp. 45Sa For the sources of information regarding the Ragusan Renaissance and foreign influences, see V. Lamanskij, "Nacionalnosti italijanskaja i slavjanskaja v politiceskom i literaturnom otnosenijah" (1865); F. Racki, "Prilozi za povest humanizma i renaissance u Dubrovniku," Rod, LXXIV (1885); A. Pavid, "Prilog k historiji dubrovacke hrvatske knizevnosti," Ibid. XXXI (1875); S. Lubic, "O odnosajah medu Dubrovcani i Mletcani," Ibid. V (1868); Iv. Kasumovic, "Utecaj grckih i rimskih pesnika na dubrovacku liricku poeziju," Ibid. ICC (1913), CCI (1914), CCIII (1914), CCV (1914); M. Korelin, "Rannyj italjanskij gumanizm i ego istoriografija" (1892); M. Medini, Povest hrvatske knilevnosti u Dalmaciji i Dubrovniku, vol. I. Zagreb, 1902. CHAPTER IV THE POETS OF THE I5TH CENTURY I One of the precursors of the Ragusan poets was i ko Mencetic (1457-1527). He had an especial talent for composing those love songs which the troubadours and their joglars brought to the world. The Provencal school had declined since the end of the 13th century, but its influence reigned for a long time in the palace of Alphorise V at Milan, where that king spent his exile. In Italy Petrarch was the most illustrious representative of this conventional lyricism, and he had many imitators. As has been pointed out, Ragusa had too extended a commerce and too intimate...
Read Less
