In this essay, curator Helen Molesworth pinpoints the significance of the return of the handmade in the later years of Duchamp's oeuvre, positioning this paradigmatic shift away from the readymade as the focal point of academic debate for the very first time.
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In this essay, curator Helen Molesworth pinpoints the significance of the return of the handmade in the later years of Duchamp's oeuvre, positioning this paradigmatic shift away from the readymade as the focal point of academic debate for the very first time.
Read Less
