For almost a century, writers such as Ralph Ellison, Michael Ondaatje, and Ishmael Reed have expressed an affinity for jazz, hearing the music as a model for writing. Jarrett examines their work and the work of others who have brought jazz into language, pushing "interpretation" into the realm of "invention."
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For almost a century, writers such as Ralph Ellison, Michael Ondaatje, and Ishmael Reed have expressed an affinity for jazz, hearing the music as a model for writing. Jarrett examines their work and the work of others who have brought jazz into language, pushing "interpretation" into the realm of "invention."
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1999, State University of New York
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(1999)
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Minor rubbing. A tear to front exterior hinge. Spine bump. VG. 23x15cm, xiv, 227 pp. Contents: Cadenza: Jazz as a Model for Writing; Satura: Filé (under) Gumbo; Obbligato: Required Listening; Rapsody: The Counterfeiters; Charivari: Conjugal Riffs;
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1999, State University of New York Press
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0791440982
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1999
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Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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03/1999
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1999, State University of New York Press
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0791440974
ISBN-13:
9780791440971
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03/1999
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1999, State University of New York Press
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0791440982
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9780791440988
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1999
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1999, State University of New York Press
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1999
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1999, State University of New York Press
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0791440974
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9780791440971
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227
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State University of New York Press
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1999
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1999, State University of New York Press
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227
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1999
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English
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18014681582
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1999,
State University of New York Press, Albany, NY
ISBN-13: 9780791440988
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1999,
State University of New York Press, Albany, NY
ISBN-13: 9780791440971
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