In Dostoevsky's Dialectics and the Problem of Sin , Ksana Blank borrows from ancient Greek, Chinese, and Christian dialectical traditions to formulate a dynamic image of Dostoevsky's dialectics--distinct from Hegelian dialectics--as a philosophy of "compatible contradictions." Expanding on the classical triad of Goodness, Beauty, and Truth, Blank guides us through Dostoevsky's most difficult paradoxes: goodness that begets evil, beautiful personalities that bring about grief, and criminality that brings about salvation ...
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In Dostoevsky's Dialectics and the Problem of Sin , Ksana Blank borrows from ancient Greek, Chinese, and Christian dialectical traditions to formulate a dynamic image of Dostoevsky's dialectics--distinct from Hegelian dialectics--as a philosophy of "compatible contradictions." Expanding on the classical triad of Goodness, Beauty, and Truth, Blank guides us through Dostoevsky's most difficult paradoxes: goodness that begets evil, beautiful personalities that bring about grief, and criminality that brings about salvation.
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Seller's Description:
Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD PAPERBACK Standard-sized.
