Destroy-Oh-Boy! is the kind of full-on flamethrower album that could make the most jaded cynic believe once again in the curative powers of punk rock. On this set, the New Bomb Turks combine 1950s and 1960s roots rock at it's rawest, '70s punk at it's snottiest, and '80s hardcore at it's most intense. Then they filter out what's lame, put the good stuff together, and send it down the track at 150 miles per hour. The results are wild, frantic, and thoroughly enjoyable; Jim Weber's fuzzy guitar communicates nearly as much ...
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Destroy-Oh-Boy! is the kind of full-on flamethrower album that could make the most jaded cynic believe once again in the curative powers of punk rock. On this set, the New Bomb Turks combine 1950s and 1960s roots rock at it's rawest, '70s punk at it's snottiest, and '80s hardcore at it's most intense. Then they filter out what's lame, put the good stuff together, and send it down the track at 150 miles per hour. The results are wild, frantic, and thoroughly enjoyable; Jim Weber's fuzzy guitar communicates nearly as much through the power of downstroke as Johnny Ramone himself, bassist Matt Reber, and drummer Bill Randt push the horsepower into the red with a fury that is a wonder to behold, and Eric Davidson proves he's one of the great frontmen of 90s punk: smart, funny, wise-ass when he wants to be, and possessing a genuine sense of purpose. From the moment they crash into "Born Toulouse-Lautrec," the New Bomb Turks grab your ears and won't let go, and you won't mind a bit. Points added for a great garage-style cover of Wire's "Mr. Suit." ~ Mark Deming, Rovi
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