Codex an IT expert, has deciphered the code of Indus Script. Citing examples from 8000 inscriptions, hieroglyph rebus Meluhha substitution of metalwork catalogues is demonstrated. Philosopher's Stone is identified with Tablet of Destiny stolen by Anzu, taken to Himalayan mountain, Mushtagh Ata in Kyrgystan. Codex decodes the 13 plates (unlucky number) of Gundestrup Cauldron and proves that the missing 14th plate of the Cauldron is the Philosopher's Stone. The code mystery deepens. Anzu is identified with Tocharian Ancu ...
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Codex an IT expert, has deciphered the code of Indus Script. Citing examples from 8000 inscriptions, hieroglyph rebus Meluhha substitution of metalwork catalogues is demonstrated. Philosopher's Stone is identified with Tablet of Destiny stolen by Anzu, taken to Himalayan mountain, Mushtagh Ata in Kyrgystan. Codex decodes the 13 plates (unlucky number) of Gundestrup Cauldron and proves that the missing 14th plate of the Cauldron is the Philosopher's Stone. The code mystery deepens. Anzu is identified with Tocharian Ancu (Proto-Indo-European language), cognate Amsu, which in the world's oldest text, Rigveda, is a synonym of the famed product Soma of 8th millennium BCE. The mystery takes the Interpol Agents far and wide along the Maritime Tin Route from Hanoi to Haifa. As a follow-up thriller after the dramatic discovery of a Himalayan glacier river called Sarasvati which was lost because of plate tectonics leads to the thriller of dynamic Himalayas which is growing taller by 1 cm every year. Supereruptions of Krakatoa and Toba volcanoes are also caused by the enormous energy of Plate tectonics. Codex uses the archaeological evidence of volcanic ash deposits across Asia and Africa to the metaphor of Varaha, the boar, as a personification of the sacred texts of 2 billion people. This boar is a principal hieroglyph on Gundestrup cauldron. Hari Gotra, the boy from Papagudem who makes tin bangles also knows the secret recipe of Polymineral Bhasma. Solving these mysteries, Codex ends up explaining a sculptural frieze on Candi Sukuh temple which shows Bhima as a swordsmith, Arjuna as a billows-worker and Ganesa with a dance-step pose. A breath-taking conclusion which emerges is that the Book of Judges of the Old Bible narrates Smithy of Nations (Harosheth Hagoyim) which is in fact, a derivative from Kharoshthi Goya which means 'Blacksmith Guild'. Unraveling the links of these mysteries as a trans-continental phenomena, Codex reconstructs the ancient sources of wealth and economic history of nations from 8th millennium BCE. These multi-faceted historic discoveries which resolve many unresolved mysteries of Story of Civilizations, entitles Codex to be considered for two Nobel Prizes, one in Economic and another in Literature. If one signal contribution to knowledge made by Codex has to be identified, it is this. She explains Bhasmasura Praveena and Mohini narrative of Purana-s as a historical anecdote of Polymineral Bhasma; Old Bible narrative of Sisera's chariots in Book of Judges as simply metallurgical history of Bronze Age. The resolution of the age-old Philosopher's Stone mystery in the present-day Mystery-Thriller, Science-Fantasy genres has stunned the academia. Her definitions of the substitution rebus methods to explain many bizarre images as wealth-creation activities are a paradigm shift in civilization studies. A unique fiction experience, yet a Civilizational Story, human, yet a cosmic dance.
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