"I am a sick man . . . I am a spiteful man," the irascible voice of a nameless narrator cries out. And so, from underground, emerge the passionate confessions of a suffering man; the brutal self-examination of a tormented soul; the bristling scorn and iconoclasm of alienated individual who has become one of the greatest antiheroes in all literature. "Notes From Underground," published in 1864, marks a turning point in Dostoevsky's writing: it announces the moral political, and social ideas he will treat on a monumental ...
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"I am a sick man . . . I am a spiteful man," the irascible voice of a nameless narrator cries out. And so, from underground, emerge the passionate confessions of a suffering man; the brutal self-examination of a tormented soul; the bristling scorn and iconoclasm of alienated individual who has become one of the greatest antiheroes in all literature. "Notes From Underground," published in 1864, marks a turning point in Dostoevsky's writing: it announces the moral political, and social ideas he will treat on a monumental scale in "Crime And Punishment," "The Idiot," and "The Brothers Karamazov."
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