This extensively illustrated survey casts new light on the lives and work of two of Modernism's great pioneers. Josef Albers (1888-1976) and Laszlo Moholy-Nagy (1895-1947) were key figures at the Bauhaus in Germany, and following the rise of National Socialism and their exile, in the introduction of European Modernist ideas into American art and culture. At the Bauhaus the two artists' work condensed art to its visual fundamentals: line, colour, texture, light and form. "Albers and Moholy Nagy" reveals the extraordinary ...
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This extensively illustrated survey casts new light on the lives and work of two of Modernism's great pioneers. Josef Albers (1888-1976) and Laszlo Moholy-Nagy (1895-1947) were key figures at the Bauhaus in Germany, and following the rise of National Socialism and their exile, in the introduction of European Modernist ideas into American art and culture. At the Bauhaus the two artists' work condensed art to its visual fundamentals: line, colour, texture, light and form. "Albers and Moholy Nagy" reveals the extraordinary richness of both their oeuvres, illustrating many seldom-seen works in a variety of media, including glass, sculpture, painting, film, photo-collage, camera-less and early colour photography, and graphic and furniture design. Their work was shaped by similar questions: both rejected representational painting early on and explored pure abstraction; both were concerned with the Utopian belief in the ability of art to transform the individual and society; both responded to the impact of mass-production and scientific advances on the role of the artist. Once in America, Albers taught at Black Mountain College, where John Cage, Robert Rauschenberg, Merce Cunningham and Jasper Johns, among others, were students. Moholy-Nagy taught at The New Bauhaus and founded the Institute of Design in Chicago. Their influence on the course of American art is inestimable. "Albers and Moholy-Nagy" creates a posthumous dialogue between these two seminal figures, concentrating on the years from 1920 to 1950. Critical essays are combined with less formal reminiscences from those who knew the artists personally. A selection of writings by the artists are also included.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1300grams, ISBN: 9781854376916.
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Near Fine in Near Fine dust jacket. 030012032X. Blue cover is rubbed at corners otherwise pristine. Boards and spine are straight. Binding is tight. Former owner's name stamped on copyright page. Pages are clean and pristine. Book has never been cracked open. Dust jacket has light shelf rubbing at corners but near pristine. DJ protected by a brand new, clear, acid-free mylar cover. We add mylar covers to all books with DJs to preserve the DJs and add luster to magnify their beauty. (If pictured, shown without the mylar cover for an accurate representation of dust jacket. )
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New. 030012032X. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** – – *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--192 pp. With 247 ills. (136 col. ). 28 x 24 cm. --with a bonus offer--
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Seller's Description:
New. 030012032X. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--Text in English. 192 pp. With 247 ills. (136 col. ). 28 x 24 cm. --with a bonus offer--
