A Gallery of Harlem Portraits is Melvin B. Tolson's first book-length collection of poems. It was written in the 1930s when Tolson was immersed in the writings of the Harlem Renaissance, the subject of his master's thesis at Columbia University, and will provide scholars and critics a rich insight into how Tolson's literary picture of Harlem evolved. Modeled on Edgar Lee Master's Spoon River Anthology and showing the influence of Browning and Whitman, it is rooted in the Harlem Renaissance in its fascination with Harlem ...
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A Gallery of Harlem Portraits is Melvin B. Tolson's first book-length collection of poems. It was written in the 1930s when Tolson was immersed in the writings of the Harlem Renaissance, the subject of his master's thesis at Columbia University, and will provide scholars and critics a rich insight into how Tolson's literary picture of Harlem evolved. Modeled on Edgar Lee Master's Spoon River Anthology and showing the influence of Browning and Whitman, it is rooted in the Harlem Renaissance in its fascination with Harlem's cultural and ethnic diversity and its use of musical forms. Robert M. Farnsworth's afterword elucidates these and other literary influences. Tolson eventually attempted to incorporate the technical achievements of T.S. Eliot and the New Criticism into a complex modern poetry which would accurately represent the extraordinary tensions, paradoxes, and sophistication, both highbrow and lowbrow, of modern Harlem. As a consequence his position in literary history is problematical. The publication of this earliest of his manuscripts will help clarify Tolson's achievement and surprise many of his readers with its readily accessible, warmly human poetic portraiture.
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Seller's Description:
Very Good. Very Good condition. Very Good dust jacket. Volume 1. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
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Seller's Description:
Columbia. 1979. University of Missouri Press. 1st American Edition. Very Good in Dustjacket. 0826202764. Edited and with an afterword by Robert M. Farnsworth. 276 pages. hardcover. Jacket art by Jerry Dadds. keywords: Poetry America Literature Harlem African American. FROM THE PUBLISHER-A Gallery of Harlem Portraits is Melvin B. Tolson's first book-length collection of poems. It was written in the 1930s when Tolson was immersed in the writings of the Harlem Renaissance, the subject of his master's thesis at Columbia University, and will provide scholars and critics a rich insight into how Tolson's literary picture of Harlem evolved. Modeled on Edgar Lee Master's Spoon River Anthology and showing the influence of Browning and Whitman, it is rooted in the Harlem Renaissance in its fascination with Harlem's cultural and ethnic diversity and its use of musical forms. Robert M. Farnsworth's afterword elucidates these and other literary influences. Tolson eventually attempted to incorporate the technical achievements of T.S. Eliot and the New Criticism into a complex modern poetry which would accurately represent the extraordinary tensions, paradoxes, and sophistication, both highbrow and lowbrow, of modern Harlem. As a consequence his position in literary history is problematical. The publication of this earliest of his manuscripts will help clarify Tolson's achievement and surprise many of his readers with its readily accessible, warmly human poetic portraiture. inventory #45792.
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Seller's Description:
8vo, pp. x, 276. Illustrated wtih phjotographs. Edited, with an afterword, by Robert M. Farnsworth. Brown cloth stamped in black. Edges slightly scratched, o/w a nice copy in dj.
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Seller's Description:
Very good. No dust jacket as issued. First Edition, tight clean condition, slight bump to rear bottom corner, three small water marks to top stain. Jacket has minor shelf wear to top spine. A very collectible copy! Hard cover (US). Glued binding. 276 p. Audience: General/trade.
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Seller's Description:
FINE IN FINE DUST JACKET. EDITED, WITH AN AFTERWORD, BY ROBERT M. FARNSWORTH. BOOK IS FINE WITHOUT ANY MARKS TO THE BINDING OR THE TEXT. D.J. IS FINE AND IS NOT PRICE-CLIPPED. A BEAUTIFUL CLEAN, BRIGHT, UNFADED COPY WITH NO REMAINDER MARK.